One Good Eye
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In both her artistic practice and daily life, Melissa Dunn turns toward quiet as a way of seeing. Moving through the world and her studio seeking stillness and reflection, Dunn listens for what she calls “the seer”: a faceless, formless presence that is not a deity, but the purest part of her awareness. The paintings in One Good Eye emerge in the space between this quiet inner observer and the artist’s everyday self, where attention, discernment, and intuition become acts of resistance to a world that is consistently loud, fast-paced and exacting. Abstraction creates a conduit for introspection and grounding guided by color and form, presenting the viewer with an intentional yet generous ambiguity.