Club Rapture and the Ecstasy Afters

Club Rapture and the Ecstasy Afters invites the viewer to revel in a space where desire and joy are released exponentially with each beat of the music; where lovers, friends and strangers can move their bodies freely despite existing in a world that questions their right to exist, and to love. In this exhibition, Parsons expands the “Speculative Dance Club for We Who Feel Otherwise in a World on Fire” in which the legacy of the Stonewall Inn undergirds the necessity of queer space and togetherness, and the memory of Pulse Nightclub is carried. 
Opening 04.12 from 5 - 7:30 PM // On view thru 05.17.2025

Joel Parsons is an artist, curator, and teacher based in Memphis, TN where he is an Assistant Professor of Art, Director of Gender and Sexuality Studies, and Director of Clough-Hanson Gallery at Rhodes College. His multidisciplinary art centers queer intimacy, and has been shown at Flyweight Projects in New York, NY; the Tom of Finland Foundation in Los Angeles, CA; Yale University’s Greene Gallery; Western Exhibitions in Chicago, IL; and the Yerba Buena Art Center Triennial in San Francisco, CA. He is the cofounder of Beige, an alternative gallery and performance space devoted to the work of LGBTQ+ artists. His queer country music band and performance art project, The Sissy Dicks, has released three albums and regularly plays venues in the Southeastern United States, including Goner Fest in Memphis, TN and the Spellcasters Maritime Ball in New Orleans, LA. He received a BA from Rhodes College, Phi Beta Kappa, and an MFA from the School of the Art Institute of Chicago, where he was awarded the John Quincy Adams Fellowship. His writing has been published in The Brooklyn Rail, Art Papers, and Art in America. He is a founding member of the ArtsMemphis Artist Advisory Council and serves on the Board of Directors of the UrbanArt Commission. He is represented by Sheet Cake Gallery.